Showing posts with label Provoked by Art: Theorizing Arts-informed Research. Show all posts
Showing posts with label Provoked by Art: Theorizing Arts-informed Research. Show all posts

Friday, August 5, 2011

How DJing is like Research

After being inspired by this post on DJing, I began revisiting ideas of the similarities between being a DJ and being a researcher/scholar. Being a DJ myself (when I have the chance) I love it when I have a set that flows together and wish my research came out similarly, which is how I began thinking about the subject. Here are a few of the ideas I had about the topic.

For one thing, like a researcher/scholar, DJs have to know their music. This usually means they've heard the stuff they play hundreds of times. Not only that, but they get a feel for the themes in their music enough to fit things comfortably together in ways others might not have noticed otherwise. Researchers and scholars do this, only with books instead of music. With both repetition is key to becoming familiar with both sets of knowledge.

There is also a air of expertise required in each realm. DJs have flexibility and freedom of choice as to what their area of 'expertise' is. For some, this can be rather fluid and expansive. Research is kind of the same, except for there are other forces that dictate what one can and cannot do. Often what is and isn't considered research dictates what a researcher/scholar does. When treated in such an orthodox manner, research/scholarship becomes rather restrictive and thus lacking in soul. With DJing on the other hand, a DJ is free to infuse their craft with their personality. Depending on the setting, I like to communicate messages of love thematically. In other words, I think it is easier for DJs to have a voice through their craft that is not nearly as transparent in research/scholarship.

Well, that's all I can think of for now. Maybe thinking of research like DJing might change the way I pursue it. But it's not nearly as simple. For one thing, DJs have a choice of what their model is and can make their own rules when it comes to constructing it. Researchers/scholars have to read stuff they do and don't want to, and most of it wouldn't be read otherwise. Quite frankly some of the stuff I have to read makes my eyeballs want to bleed--probably because I also want to stab them out.  Not the case with DJing where I do not have to suffer and most of the stuff I like is more like crack to me than a royal pain--especially when finding a musical gem. Not very many books do that for me. Oh well, I'll do my best to try integrating the thoughts I have about DJing into doing research since, regardless of my experiences in reading some of this stuff, I really do want to become a scholar with my voice and soul in tact.

If there are any additional thoughts on this topic along with maybe making scholarship more like DJing in spirit, or just other things that should be considered, feel free to contribute your ideas. As usual, I'm open to them.

Until next time...

Thursday, July 28, 2011

Ways of Seeing and Understanding

In a few of my posts, I've made references to little and great understanding. This post is an attempt at rectifying the mistake of not explaining what any of this means. My thoughts on this subject are derived from "Provoked by Astonishment: Seeing and Understanding in Inquiry" by Allan Neilsen in the book Provoked by Art: Theorizing Arts-informed Research and edited volume. Related thoughts will likely refer to The Eternal Smile by Derek Kirk Kim and Gene Luen Yang. I hope this ramble is accessible to everyone even though it's origins come from my encounters with academia...

When it comes to thinking about how things are understood and how this understanding is communicated, in American academia and culture in general, understanding is done in a way that leaves little room for alternatives. For example, when I teach my four-year-old to do something, from that point on, unless told otherwise, that is the only way it can be done. Adults, I've observed, are the same way it seems; closed to alternatives once one way of understanding something has been communicated.

I find this way of being to be quite oppressive, especially when it comes to expressing myself or attempting to express knowledge in general. There is more than one way to know and understand. Why should I be punished because I do not do it exactly your way (and by your I mean the status-quo--the way of doing and being considered to be mainstream)?

Well, thank goodness I am not the only one who feels this way. Books have been written challenging and--for me--presenting differing ways to look at and understand things that have offered a bit of hope and happiness for me as a continual learner. This was especially the case after reading A.Neilsen's "Provoked by Astonishment...". This piece emphasizes the importance of being open to astonishment since it "creates opportunity for insight and understanding by disrupting the busyness and unmindfulness of everyday existence" (56).  By being open to the unexpected we are also open to all sorts of possibilities when it comes to knowing and understanding something, we are able to break free of stifling conventions. Which brings me to "little" and "great" understanding.

The state of "Little Understanding" is one that consists of  the "constricted awareness and discriminatory thinking" that is a part of standardized modes of doing and being. Additionally, this state is mandated by thoughts of how things should or ought to be and apprehensions of what could be and are thus limiting and restrictive (56-57).

The state of "Great Understanding" is one that consists of being in "a contemplative state that allows us to be in the moment, to be knocked to the ground in astonishment, to see with new eyes" (57).

 This brings me to observe a theme I found in D.K.Kim & G.L.Yang's The Eternal Smile. First off I highly recommend this book 'cause it's awesome! Apologies for the spoiler but--and maybe those of you who have read  this saw other things--I found the theme of this piece (yes I know it's three stories) to be that of ways of seeing. For these three stories this was presented via fantasy and its role in allowing the characters in each tale to see or maybe examine their lives--summed up well in the third story "Urgent Request" when proposing that fantasy is not simply a means of escape but a way in which one can see (so cool!). I see certain tales of fantasy like this much of the time and am often astonished by the messages and their relation to real-life. Sometimes I think people tell stories for this very reason. No wonder I like stuff like FMA so much!

Ahem...back to the rest of the post...

Despite the attractiveness of states of Great Understanding, valuing the importance of both states is necessary (although sometimes I do wonder). This means not forsaking one for the other but being able to "preserve and transcend" states of Little Understanding as a means of becoming "whole"(57). This is important to understanding which requires being "in the moment" and being able to "apprehend experience holistically," and to "connect" (58).This is what I want my travels in academia and life in general to be about.

I couldn't be happier to have stumbled across this nugget of understanding and can hope that along my journey I am able to attain states of Great Understanding while not treating Little Understanding as a nemesis of sorts. I hope reading the books mentioned in this post will be as helpful to you as it has been for me. Please feel free to add, challenge, expand, or whatever about this topic. Any related book, movie or show suggestions would also be nice!

Recommended reading:
American Born Chinese
Level Up
Three Day Road
Days of War, Nights of Love

Until next time...